Utopian Studies, vol 20, no 1

A publication of the Society for Utopian Studies, 2009.

Included in this volume are the following articles:

“Socioeconomic Utopianism in Spain at the End of the Nineteenth Century: La Nueva Utopía by Ricardo Mella” by José Luis Ramos-Gorostiza

“Homus Novus: The New Man as Allegory” by Natalia Skradol

“Embodied Anarchy in Ursula K. Le Guin’s The Dispossessed by Daniel P. Jaeckle

“Visions of Happiness: Daoist Utopias and Grotto Paradises in Early and Medieval Chinese Tales” by Sing-chen Lydia Chiang

“The Shaker ‘Gift’ Economy: Charisma, Aesthetic Practice and Utopian Communalism” by Janet Sarbanes

“When Science Fiction Writers Used Fictional Drugs: Rise and Fall of the Twentieth-Century Drug Dystopia” by John Hickman

Website.

Red Planets: Marxism and Science Fiction

Authors: Mark Bould and China Miéville

Publication Info: Wesleyan University Press distributed by University Press of New England, 2009.

“A critical exploration of the connections between science fiction and Marxism

Science fiction and socialism have always had a close relationship. Many science fiction novelists and filmmakers have used the genre to examine explicit or implicit Marxist concerns. Red Planets is an accessible and lively account, which makes an ideal introduction to anyone interested in the politics of science fiction. The volume covers a rich variety of examples from Weimar cinema to mainstream Hollywood films, and novelists from Jules Verne, H. G. Wells, Philip K. Dick, and Thomas Disch to Ursula K. Le Guin, Kim Stanley Robinson, Ken MacLeod, and Charles Stross. Contributors include Matthew Beaumont, William J. Burling, Carl Freedman, Darren Jorgensen, Rob Latham, Iris Luppa, Andrew Milner, John Rieder, Steven Shaviro, Sherryl Vint, and Phillip Wegner.”

Website.

The Science Fiction Handbook

Authors: M. Booker and Anne-Marie Thomas

Publication Info: West Sussex, UK: Wiley-Blackwell Publishing, 2009.

“The Science Fiction Handbook offers a comprehensive and accessible survey of one of the literary world’s most fascinating genres.

Includes separate historical surveys of key subgenres including time-travel narratives, post-apocalyptic and post-disaster narratives and works of utopian and dystopian science fiction

Each subgenre survey includes an extensive list of relevant critical readings, recommended novels in the subgenre, and recommended films relevant to the subgenre

Features entries on a number of key science fiction authors and extensive discussion of major science fiction novels or sequences

Writers and works include Isaac Asimov; Margaret Atwood; George Orwell; Ursula K. Le Guin; The War of the Worlds (1898); Starship Troopers (1959); Mars Trilogy (1993-6); and many more

A ‘Science Fiction Glossary’ completes this indispensable Handbook”

Website.

Fifty Key Figures in Science Fiction

Authors: Mark Bould, Andrew M. Butler, Adam Roberts and Sherryl Vint.

Publication Info: New York: Routledge, 2009.

“Fifty Key Figures in Science Fiction is a collection of engaging essays on some of the most significant figures who have shaped and defined the genre. Diverse groups within the science fiction community are represented, from novelists and film makers to comic book and television writers. Important and influential names discussed include:

Octavia Butler

George Lucas

Robert Heinlein

Gene Roddenberry

Stan Lee

Ursula K. Le Guin

H.G. Wells

This outstanding reference guide charts the rich and varied landscape of science fiction and includes helpful and up-to-date lists of further reading at the end of each entry. Available in an easy to use A-Z format, Fifty Key Figures in Science Fiction will be of interest to students of Literature, Film Studies, and Cultural Studies.”

Website.

The Routledge Companion to Science Fiction

Authors: Mark Bould, Andrew M. Butler, Adam Roberts and Sherryl Vint.

Publication Info: New York: Routledge, 2009.

“The Routledge Companion to Science Fiction is a comprehensive overview of the history and study of science fiction. It outlines major writers, movements, and texts in the genre, established critical approaches and areas for future study. Fifty-six entries by a team of renowned international contributors are divided into four parts which look, in turn, at:

History – an integrated chronological narrative of the genre’s development

Theory – detailed accounts of major theoretical approaches including feminism, Marxism, psychoanalysis, cultural studies, postcolonialism, posthumanism and utopian studies

Issues and Challenges – anticipates future directions for study in areas as diverse as science studies, music, design, environmentalism, ethics and alterity

Subgenres – a prismatic view of the genre, tracing themes and developments within specific subgenres.

Bringing into dialogue the many perspectives on the genre The Routledge Companion to Science Fiction is essential reading for anyone interested in the history and the future of science fiction and the way it is taught and studied.”

Website.

Futurescapes: Space in Utopian and Science Fiction Discourses

Editor: Ralph Pordzik

Publication Info: Rodopi: Amsterdam/New York, NY, 2009.

“This book testifies to the growing interest in the many spaces of utopia. It intends to ‘map out’ on utopian and science-fiction discourses some of the new and revisionist models of spatial analysis applied in Literary and Cultural Studies in recent years. The aim of the volume is to side-step the established generic binary of utopia and dystopia or science fiction and thus to open the analysis of utopian literature to new lines of inquiry. The essays collected here propose to think of utopias not so much as fictional texts about future change and transformation but as vital elements in a cultural process through which social, spatial and subjective identities are formed. Utopias can thus be read as textual systems implying a distinct spatial and temporal dimension; as ‘spatial practices’ that tend to naturalize a cultural and social construction – that of the ‘good life’, the radically improved welfare state, the Christian paradise, the counter-society, etc. – and make that representation operational by interpellating their readers in some determinate relation to their givenness as sites of political and individual improvement.
This volume is of interest for all scholars and students of literature who wish to explore the ways in which utopias of the past and recent present have circulated as media of cultural exchange and homogenization, as sites of cultural and linguistic appropriation and as foci for the spatial formation of national and regional identities in the English-speaking world.”

ISBN: 978-90-420-2602-5

Website

“Eutopias and Dystopias of Science.”

Author: Lyman Tower Sargeant

Book Title: Imagining the Future: Utopia and Dystopia

Also found in: Numbers 25 and 26 of Arena Journal

Editors:  Andrew Milner, Matthew Ryan, and Robert Savage

Publication Info:  North Carlton, Vic, Australia: Arena Publications Association, 2006.  pp357-71

Translated as “Eutopias e Distopias da Ciência.” by Helvio G. Moraes. Morus: Utopia e renascimento, no. 4 (2007): 79-90.

ISBN: 0-958181-8-9

Many eutopian and dystopian works & thinkers are incorporated into this article – nice resource for science-fiction research.

Website