Cities of God: The Religion of the Italian Communes, 1125-1325

Author: Augustine Thompson, O.P.

Publication Info: Penn State Press, 2005.

“Thompson positions the Italian republics in sacred space and time.He maps their religious geography as it was expressed throughpolitical and voluntary associations, ecclesiastical and civil structures,common ritual life, lay saints, and miracle-working shrines.He takes the reader through the rituals and celebrations of the communalyear, the people’s corporate and private experience ofGod, and the “liturgy” of death and remembrance.In the process he challenges a host of stereotypes about “orthodox” medieval religion, the Italian city-states, and the role of new religious movements in the world of Francis of Assisi, Thomas Aquinas, and Dante.”

PSUP Website

Utopian Studies, vol 21, no 1

A publication of the Society for Utopian Studies, 2010.

Included in this volume are the following articles:

“Preliminary Sketches for the Reappearance of HyBrazil” by Sean Lynch

“A Conversation at Sea” by Matt Packer and Sean Lynch

“Utopian Studies, Environmental Literature, and the Legacy of an Idea: Educating Desire in Miguel Abensour and Ursula K. Le Guin” by Christine Nadir

“Sinking ‘Like a Corpse’ or Living the ‘Soul’s Full Desire’: Shaker Women in Fiction and History” by Richard M. Marshall

“Scottish Utopian Fiction and the Invocation of God” by Timothy C. Baker

“A Grenade With the Fuse Lit: William S. Burroughs and Retroactive Utopias in Cities of the Red Night” by Sean Grattan

“Michael Flürscheim: From the SIngle Tax to Currency Reform” by Lyman Tower Sargent

Website.

The Routledge Companion to Science Fiction

Authors: Mark Bould, Andrew M. Butler, Adam Roberts and Sherryl Vint.

Publication Info: New York: Routledge, 2009.

“The Routledge Companion to Science Fiction is a comprehensive overview of the history and study of science fiction. It outlines major writers, movements, and texts in the genre, established critical approaches and areas for future study. Fifty-six entries by a team of renowned international contributors are divided into four parts which look, in turn, at:

History – an integrated chronological narrative of the genre’s development

Theory – detailed accounts of major theoretical approaches including feminism, Marxism, psychoanalysis, cultural studies, postcolonialism, posthumanism and utopian studies

Issues and Challenges – anticipates future directions for study in areas as diverse as science studies, music, design, environmentalism, ethics and alterity

Subgenres – a prismatic view of the genre, tracing themes and developments within specific subgenres.

Bringing into dialogue the many perspectives on the genre The Routledge Companion to Science Fiction is essential reading for anyone interested in the history and the future of science fiction and the way it is taught and studied.”

Website.

Ecology Without Nature: Rethinking Environmental Aesthetics

Author: Timothy Morton

Publication Info: Cambridge, MA: Harvard University Press, 2007.

“In Ecology without Nature, Timothy Morton argues that the chief stumbling block to environmental thinking is the image of nature itself. Ecological writers propose a new worldview, but their very zeal to preserve the natural world leads them away from the “nature” they revere. The problem is a symptom of the ecological catastrophe in which we are living. Morton sets out a seeming paradox: to have a properly ecological view, we must relinquish the idea of nature once and for all.

Ecology without Nature investigates our ecological assumptions in a way that is provocative and deeply engaging. Ranging widely in eighteenth-century through contemporary philosophy, culture, and history, he explores the value of art in imagining environmental projects for the future. Morton develops a fresh vocabulary for reading ‘environmentality’ in artistic form as well as content, and traces the contexts of ecological constructs through the history of capitalism. From John Clare to John Cage, from Kierkegaard to Kristeva, from The Lord of the Rings to electronic life forms, Ecology without Nature widens our view of ecological criticism, and deepens our understanding of ecology itself. Instead of trying to use an idea of nature to heal what society has damaged, Morton sets out a radical new form of ecological criticism: ‘dark ecology.'”

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